Wednesday had us up bright and early to see the Book of Kells before the crowds arrived. While some students initially found the Book of Kells underwhelming, a presentation by our very own Florence Solomon later in the week gave
“THINK AGAIN” is angrily scrawled across the back of the stage, and Lynda Radley’s Futureproof certainly demands more than just a single thought. At once enthralling and sickening, Futureproof, directed by Tom Creed, raises questions about identity, conformity, and modern living. At the Project
I lay down across her with my face in her breasts and my hand on her. We lay there without moving. But under us all moved, and moved us, gently, up and down, and from side to side. Pause. (Beckett 252)
“And cried, ‘Before I am old I shall have written him one Poem maybe as cold And passionate as the dawn.’” (“The Fisherman,” 37- 40) W.B. Yeats’s “The Fisherman” fulfills its own prophecy: the realization of its ending lies in
Having (partially) recovered from carrying our luggage up the stairs to our Trinity apartments, on Monday we learned some tips about the city from Seona, our trusty Dublin guru. After our first lunch at the Trinity Buttery, we all hopped
The rhythm of the land keeps time with your heartbeat. Mother churns the butter while sister rocks the cradle, the blacksmith beats the time, the weaver strums his creel; the earth is ploughed into a treble staff, while crops are